Advent IV
Lessons and Carols
12.21.14/Westwood Lutheran
It has been a week of music making at Westwood, I’m learning
that’s pretty typical around here. Last
Sunday our Sunday school children filled the chancel area to sing Advent songs
and give us a little glimpse into Christmas time. Then, last Sunday afternoon about fifty
people left Westwood in different groups to go Christmas caroling. Young and old set out to sing to those who
are not able to leave their homes and brought the sounds of Christmas to
them. We caroled to people who
recognized their church friends quickly, we also caroled to people who could
not remember– each recipient of the caroling groups were at differing stages of
memory loss and old age. It did not
matter – because music has the power to transcend memory loss, our brains are
wired in such a way that music stays with us longer than names and dates and
even longer than the recognition of beloved faces. Music, in mysterious and powerful ways, cuts
through disease and isolation and brings people of all ages together in the
simple, bodily act of singing. So many that we visited last week moved their lips and even made some sound with words like "O come let us adore Him" or "Hark the herald angels sing", they were signs of the power of story, music and healing.
And this is the time of year to be brought together in
song. The music making continued on
Tuesday morning when all our children from the Westwood Early Childhood Center
filled the commons for the “Come as Your Are” luncheon – a lunch to gather and
honor our most elderly church members – our youngest family members were
singing the songs of faith to our oldest family members (picture?). They sang the most simple songs of our faith,
yet the words “He’s got the little bitty babies and the grandmas and the
grandpas in his hands” seem to take on some other meaning when they are shared
between such a span of generations.
I am not sure I can put my finger on it, but all week I’ve
been pondering this strong connection between the story of Christmas and music
– we cannot possibly separate them! Have you had the yearly argument with your
loved ones as to when it is proper to turn on the Christmas music in the home
and car? Could we really gather on
Christmas Eve and not sing “Silent Night, Holy Night all is calm all is
bright?”
In the bible, the Christmas story is carried through
narrative and song: much like this service of lessons and carols has been
shaped. This pattern of word and music,
word and music is nothing new – the church has always been responding to the
Word of God with song, especially at this time of year.
Could the compatibility of music and Christmas have something
to do with the way in which God is acting in the story of Christ’s birth? Could
it be that the Word became flesh, the Divine God becoming bodily and then dwelled
among us as close as the voice which rises up from within us? The coming of the
Christ child first entered the world, not in loud, majestic ways but in a
woman’s womb – mysteriously taking up residence in a way that demands such
intimacy, such feeling of the whole body.
Not unlike music.
Of course Mary poured out in song after hearing what God was
going to do in her life – it is so often how we make meaning, how we process,
how we move through experiences or emotions which we cannot explained. Music takes our ordinary words and gives them
lift and power and resonance, music follows the lead of God who takes the
ordinary, like Mary and gives her life and power.
Catholic theologian, Henri Nouwan spent much of his life
living in intimate communities, he says it this way…
God became
flesh for us to show us that the way to come in touch with God’s love is the
human way, in which the limited and partial affection that people can give
offers access to the unlimited and complete love that God has poured into the
human heart." -Henry Nouwen
Perhaps we cannot separate music and the Christmas story
because we need music to help us enter into this story that is intimate and
holy, calling us to God and mysteriously saving us at the same time. And this story, of the Holy One coming into
our lives needs to take residence deep in our being, sung so far into our memories
that this miracle, this presence of God will be the final reality we know while
on earth.
There are countless ways to find your voice in the story,
consider all these sounds of Christmas:
The song began with the prophet Isaiah: giving warning and
hope to a nation in disarray, his melody is filled with longing and beauty
(Cellos play“Lo, How a Rose")
Then Zachariah carries the story through his song that burst
out from his own doubt: the dawn from on high will break upon us, he
sings through a determined melody (Flute play "Joy to the world")
The angels and the whole hosts of heaven sing the promise
that no human can fully understand, (brass section plays "Hark the Herald")
Mary, so plain and unassuming, sings her song of revolution
and upheaval, with leaps of sound that portray the upheaval God’s kingdom will bring
(violins play "Canticle of the Turning")
The story of Christmas moves through all kinds of people,
even the story of the shepherds give us a tone of searching and yearning (clarinets play "In
the Bleak Midwinter")
The Wiseman, invite in the generous and confident (piano plays "We Three
Kings")
And all creation that falls silent when the glory of the Lord
shines from the star upon the place where he lay (silence)
Every voice has it’s place in the symphony of Christmas, for
God’s story includes melody, harmony, counter point and ostinatos. Dynamics that carry us through every season
of our life with this promise: the Word will dwell in your life, in intimate,
soul-healing, world upturning ways.
May every song we sing bring us closer to God’s life among
us. Amen.