For those who do not live in a monastic community in the mountains and attend daily worship -- this reflection may seem particularly bizarre. "Liturgy" is a big 'ole church word used to describe the rhythm, flow, up and down of any worship service. Hopefully, the idea of taking the ordinary and making pausing to be grateful and present it not such a bizarre notion.
Last week my daughter brought home an activity she learned
at school. She instructed me to create a
square using my pointer fingers and thumbs of both hands. She then covered my eyes, turned my head and
lifted my finger-frame in front of my face.
“Now…open!” she squealed. I gazed
past my dry, cracked skin into the frame that now held a small portion of the
snow-capped
mountains above us and the rushing creek below us. We were standing in the middle of the covered
bridge that crosses Railroad Creek, a place where it is impossible to take in all
the beauty of the earth. It is a place
we see nearly every day while living in Holden Village. Looking through my finger-frame brought focus
to the wonder; the border that suddenly appeared around the snow dusted pine
gave clarity and importance to details that would otherwise be missed. Even framing my sweet girl’s face helped me
to see the masterpiece that was held in the frame, her deep brown eyes were
somehow more enchanting. All these
sights: commonplace and extraordinary, overwhelming and yet captured in the
frame of my hands.
Every Sunday night in this village we, as a whole community,
gaze through another frame. We shuffle
into the Fireside room for our weekly Eucharist service and one pastor or the
other introduces the liturgy. The rhythm
of the liturgy is what connects us to ancient worship practices and
contemporary gatherings around the world.
The word “liturgy” means, the work of the people, and as the gathered
assembly we become the workers who move through confession and forgiveness,
Kyrie and Sanctus, hymns and canticles, prayers and broken bread. The
liturgical frame has the same power as the simple finger-frame. The liturgy takes the expansive nature of
faith and relationship and offers focus and heightened awareness. In the liturgy we can use infinite and
sweeping words – Gloria, mercy, alleluia, confession and amen – and in the
liturgy these infinite notions come to our immediate gathering.
This past year at Holden we have lifted up a variety of
frames through which we see a God come near, the masterpiece of the community,
the power of the gospel promises to hold even us. During the seasons of Advent and Lent, both
seasons of preparation and promise, both seasons of wonder and waiting, we were
framed with Jon Hermensons’ Is this the
Feast? Jon first wrote this liturgy for Lutheran ministry called MercySeat
in Minneapolis, Minnesota. The title
alone begs for ambiguity, the music invites the community to wonder, to listen
and to sing – what a frame to capture the gravitas of the seasons, what a
beautiful cradle for the work of the people.
There was another frame from MercySeat, yet another musician
who built a frame that called the village to another time and place, Good News Bad News connected the village
with the yearning sounds of southern gospel.
The frame carried us into the summer season, which was also construction
season in the village for this year. The
strong off-beats that led us to sing “Glory to God on high…” and “Blessed is he
who comes in the name of the Lord!” lifted the paradox of triumph and sacrifice
– and the community awkwardly formed a circle for the communion meal to taste
and see of the triumph and sacrifice.
The beauty is not in the frame itself, but in what is
illuminated within the borders. Martin
Luther himself was firm in his belief that liturgy should never become law, the
liturgy can and should change and flow in anyway or shape that will help the
clear, bold and direct telling of God’s love.
The liturgy is not law nor is it gospel in itself. The picture inside, the image of the body of
Christ hearing that message, that Word
is what is the holy, captivating gift that our liturgy wraps in its frame.
The liturgy is ordinary, so ordinary its shape as been
maintained for centuries of practice and observance. The people are ordinary, too. Hippies in the mountains, hipsters in the
city, hurting souls, healing bodies, feet that wander city sidewalks and
mountain trails – together the great communion of all the saints is held
together in the frame. When we gaze past our own broken existence and see
through the frame of the liturgy, we are connected to a God who is both
everywhere and right here, and we are connected to a community that is always
and right now.
Liturgy: Commonplace and extraordinary, overwhelming and yet
captured in the hands of God.
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